Psalms 45 Scofield

45:1 <To the chief Musician upon Shoshannim, for the sons of Korah, Maschil, A Song of loves.> My heart is inditing a good matter: I speak of the things which I have made touching the king: my tongue is the pen of a ready writer.

“Shoshannim”

Shoshannim, "lilies," and so, the spring; the Shoshannim Psalms were probably connected with the Passover season, and hence reminders of redemption out of bondage, and of the origins of Israel.

“king”

This great psalm of the King, with Psalms 46-47, obviously looks forward to the advent in glory. The reference in Heb 1:8; Heb 1:9 is not so much to the anointing as an event Matt 3:16; Matt 3:17 as to the permanent state of the King. Cf. Isa 11:1; Isa 11:2.

The divisions are:

(1) The supreme beauty of the King (Ps 45:1; Ps 45:2);

(2) the coming of the King in glory Ps 45:3–5; Rev 19:11–21.

(3) the deity of the King and character of His reign Ps 45:6; Ps 45:7; Heb 1:8; Heb 1:9; Isa 11:1–5.

(4) as associated with Him in earthly rule, the queen is presented, Ps 45:9–13 and in that relation the King is not called Elohim (See Scofield "Gen 1:1") as in Ps 45:6, but Adonai, the husband name of Deity See Scofield "Gen 15:2".

(5) the virgin companions of the queen, who would seem to be the Jewish remnant. (See Scofield "Rom 11:5"). Rev 14:1–4 are next seen Ps 45:14; Ps 45:15 and

(6) the Psalm closes with a reference to the earthly fame of the King.

See Psalms 68, next in order of the Messianic Psalms.

Public domain (1917). Text from the BibleSupport.com e-Sword module.